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Commissions
Where your story meets my texture.
Each commissioned piece is an intimate collaboration—rooted in your space, your energy, your emotion. Whether inspired by a memory, a mood, or a moment, I translate your vision into a richly layered, abstract artwork that is both personal and timeless.
Let’s create something meaningful together—designed just for you, with every stroke, texture, and tone speaking your language.
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
An Ode to Gopi Geet
An Ode to Gopi Geet
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Brijraj, Mixed Media and Resin on Canvas
77.55 x 41.73 in. (197 x 106 cm) [incl framing]
2025
Commissioned Piece
This painting is my heartfelt ode to Gopi Geet — a story not just of longing, but of unwavering devotion and divine love. It is my very first spiritual piece created on such a grand scale, and every element within it has been painted with deep emotion, purpose, and surrender.
The entire composition is abstract at its core, yet seamlessly blends the essence of landscape and portraiture. It’s a mixed media work, where traditional materials meet sacred textures. I’ve used real Brijraj mitti throughout the canvas for grounding texture — symbolic of Braj’s sacred earth — instead of artificial materials. To bring in sanctity and fragrance, chandan has been mixed into all paints, while roli has been subtly added to red and orange hues, infusing each stroke with ritualistic energy.
There are 8 malas across the canvas, each symbolising one of Shri Krishna’s ashtasakhi gopis. Seven of them remain open, expressing longing — but one mala is joined, depicting the joy of the one gopi who has seen him return. She is shown dancing in bliss, her silhouette subtly elevated, while the others remain in shadow, lost in prayer and yearning.
Amidst the divine landscape, you’ll find 12 gopi figures, rendered in shadow. Their forms remain partially hidden, a deliberate choice — as it is said that animals, with their sixth sense, are the first to sense divinity. Thus, many of the animals in the painting are more expressive, more awakened. There are:
• 3 peacocks — one peeking from behind a tree, two gazing at the subtle presence of Krishna
• 6–7 monkeys — among whom two are bowing, praying with folded hands, having seen the Lord return
• Rabbits, butterflies, birds — some still, in silent reverence, others moving gently, guided by intuition
• Cows — surrounding the golden aura of Krishna, indicating he has returned from grazing
• Real mithi pot fragments — placed in the canvas to represent broken matkis, with white makhan flowing onto the Brijraj floor, evoking Vrindavan’s innocence
Scattered throughout the painting are hidden words in Hindi like राधे, माधव, दर्शन, छाया and more — they are not immediately visible, but they reveal themselves when you pause, reflect, and feel. They whisper the emotions of each figure and the soul of the forest.
At the heart of it all lies the subtle presence of Shri Krishna, not as a figure, but as a golden aura, quietly illuminating the space. He is there, yet not visible. His presence is sensed — felt in the shifts of the animals, the bow of the monkeys, the joy of the dancing gopi.
The sky at the top glows with dusk — neither day nor night — symbolising that divine threshold when longing turns to revelation. It is that sacred moment where separation and union coexist.
To seal this energy, I have finished the piece with resin, giving it a luminous, timeless quality — as if this spiritual moment has been preserved in eternity.
I hope this painting doesn’t just speak to your eyes, but to your soul.
May it remind you of the divine that often hides in silence, in shadow, and in love that waits.
San Ramon, USA
Lavender Eclipse
Lavender Eclipse
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Lavender Eclipse
Lavender Eclipse
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Lavender Eclipse
Lavender Eclipse
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Lavender Eclipse
Lavender Eclipse
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Acrylic, and Cement on canvas
30.9 x 19.19 in. (78.63 x 48.76 cm)
2025
Commissioned Piece
Lavender Eclipse captures the gentle dance of sunlight over endless lavender fields. The textured surface reflects the soft movement of sunrays, casting a golden shimmer over deep violet hues. This piece evokes a sense of tranquility and warmth, immersing you in the quiet beauty of nature’s ever-changing light.
New Delhi, India
Golden Tide
Acrylic and Tissue Paper on canvas
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
Golden Tide
Acrylic and Tissue Paper on canvas
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
Golden Tide
Acrylic and Tissue Paper on canvas
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
Golden Tide
Acrylic and Tissue Paper on canvas
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
Golden Tide
Acrylic and Tissue Paper on canvas
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
27.95 x 23.62 in. (71 x 60 cm)
2024
Commissioned Piece
Golden Tide: Inspired by the rhythm and movement of water, this piece captures the essence of flowing tides illuminated by golden light. Created with acrylic paints and tissue paper, its textured layers reflect the interplay between shimmering waves and the depths beneath,
evoking a sense of fluidity and natural beauty.
This was a commissioned piece.
London,UK
Celestial Fantasy
Celestial Fantasy
23.62 x 35.43 in. (60 x 90 cm)
Digital Print on Canvas
Made on Procreate
Commissioned this piece for a client who wanted a celestial vibe in their gaming room.
Reading, UK.
23.62 x 35.43 in. (60 x 90 cm)
Digital Print on Canvas
Made on Procreate
Commissioned this piece for a client who wanted a celestial vibe in their gaming room.
Reading, UK.
Celestial Fantasy
Celestial Fantasy
23.62 x 35.43 in. (60 x 90 cm)
Digital Print on Canvas
Made on Procreate
Commissioned this piece for a client who wanted a celestial vibe in their gaming room.
Reading, UK.
23.62 x 35.43 in. (60 x 90 cm)
Digital Print on Canvas
Made on Procreate
Commissioned this piece for a client who wanted a celestial vibe in their gaming room.
Reading, UK.
Celestial Fantasy
Celestial Fantasy
23.62 x 35.43 in. (60 x 90 cm)
Digital Print on Canvas
Made on Procreate
Commissioned this piece for a client who wanted a celestial vibe in their gaming room.
Reading, UK.
23.62 x 35.43 in. (60 x 90 cm)
Digital Print on Canvas
Made on Procreate
Commissioned this piece for a client who wanted a celestial vibe in their gaming room.
Reading, UK.
Sapphire Radiance
Acrylic, Resin, and Gold Foil on canvas
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
Sapphire Radiance
Acrylic, Resin, and Gold Foil on canvas
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
Sapphire Radiance
Acrylic, Resin, and Gold Foil on canvas
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
Sapphire Radiance
Acrylic, Resin, and Gold Foil on canvas
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
39.37 x19.68 in (100x50cm)
2023
Commissioned Piece
A captivating embodiment of tranquility and depth, Sapphire Radiance reflects the serene beauty of calm waters illuminated by the soft glow of light. This textured painting combines rich sapphire tones with delicate highlights, inviting viewers to immerse themselves in its meditative energy and experience a moment of quiet reflection amidst
nature's elegance.
London, UK.
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